Carmen Suite 
Music by  
Georges Bizet ЁC 
Rodion ShchedrinChoreography by 
Alberto Alonso Production Choreographer: Viktor Barykin
Production Designer: Boris Messerer
World premiere: 20 April 1967, Bolsoi Theatre, Moscow
Premiere at the Mariinsky Theatre: 19 April 2010
Running time: 45 minutes
Without
Music: Frederic Chopin, Etudes, Preludes 
Choreography by Benjamin Millepied 
Coaches and Repetiteurs: Celine Cassone and Jean-Francois Kessler 
Costume Designer: Benjamin Millepied 
Lighting Designer: Vladimir Lukasevich 
Production Sponsor: Toshihiko Takahashi
Choreographer - Benjamin Millepied
Le Jeune Homme et la Mort 
Ballet in two scenes 
To music by Johann Sebastian Bach 
(Passacaglia in §і Minor, BWV 582, arranged for full orchestra by Alexander Goedicke) 
Libretto by Jean Cocteau 
Choreography by Roland Petit 
Production Choreographer: Luigi Bonino 
Lighting Designer: Jean-Michel DЁ¦sirЁ¦ 
Set Designer: Georges Wakhevitch 
Costume Designer: Karinska 
Production Sponsor: Toshihiko Takahashi 
Le Jeune Homme et la Mort is one of the earliest and most famous works by Roland Petit. The ballet was staged in post-war Paris in 1946 for the recently established company Les Ballets des Champs-Elysees. The ballet by Roland Petit which we know today is considered based on mime drama by Jean Cocteau. In actual fact, both the theme of relationships between an artist and death and the very image of a girl as death and lovers as death were key themes for Cocteau; he had his own accounts to settle with women and he himself was an artist. 
A studio. The artist is unable to relax as he waits in torment. A woman appears: mysterious, sharp and heartless ЁC the typical crafty Parisian woman ЁC and during her brief visit she prompts the Youth to commit suicide. Moreover, she is, in fact, Death itself, its unique and original personification.