Libretto: Vernoy de Saint-Georges and Joseph Mazilier,
edited: Yuri Slonimsky and Pyotr Gusev

Set design: Teymuraz Murvanidze
Costume design: Galina Solovyova

Presented with two intervals.

Le Corsaire (The Pirate) is a ballet in three acts, with a libretto based on the poem The Corsair by Lord Byron. Originally choreographed by the Balletmaster Joseph Mazilier to the music of Adolphe Adam. First presented by the Ballet of the Académie Royale de Musique, Paris, France on 23 January 1856. The ballet has many celebrated passages which are often extracted and performed independently - the scene Le Jardin Animé, the Pas d’Esclave, and the Grand Pas de Trois des Odalisques. The most celebrated is the Le Corsaire Pas de Deux, which is among classical ballet’s most iconic and performed excerpts.

The ballet has been much revised throughout its long and complex performance history by way of later stagings in Russia, most notably by Jules Perrot (1858), Marius Petipa (1858, 1863, 1868, 1885, and 1899), Alexander Gorsky (1912), Agrippina Vaganova (1931), Pyotr Gusev (1955), Konstantin Sergeyev (1972, 1992), and Yuri Grigorovich (1994).

During the mid to late 19th century Adolphe Adam’s score acquired a substantial amount of additional music, and by the turn of the 20th century the score credited contributions from six different composers: Cesare Pugni, Grand Duke Peter II of Oldenburg (AKA Prince Oldenburg or Prince Peter Von Oldenburg), Léo Delibes, Léon Minkus, Prince Nikita Trubetskoi, and Riccardo Drigo (often not all of these composers are credited). Many Soviet-era revivals added new music as well, though the majority of such additions were extracted from ballets from the Imperial-era that were no longer being performed.

Today Le Corsaire is performed chiefly in two different versions - in Russia and parts of Europe (mostly eastern Europe) companies have mounted productions derived from Pyotr Gusev’s 1955 revival, initially staged for the Ballet of the Maly Theatre of St. Petersburg, and later the Kirov/Mariinsky Ballet in 1977. Outside of Russia and Europe - primarily in North America and some parts of western Europe - many companies have mounted productions derived from Konstantin Sergeyev’s revival, initially staged for the Kirov/Mariinsky Ballet in 1973, and later the Bolshoi Ballet in 1992.