| Philipp StepinDancerBorn in Leningrad.
Graduated from the Vaganova Academy of Russian Ballet in 2005 (class of Boris Bregvadze).
Joined the Mariinsky Ballet in 2005; soloist since 2009.
Repertoire includes:
Don Quixote (Basilio); choreography by Alexander Gorsky after Marius Petipa,
Le Corsaire (Ali, Lankedem); production by Pyotr Gusev after the composition and choreography of Marius Petipa,
Romeo and Juliet (Romeo, Mercutio, Troubadour); choreography by Leonid Lavrovsky,
La Sylphide (James, Youths); choreography by August Bournonville, revised version by Elsa Marianna von Rosen,
Giselle (Count Albrecht, Classical Duet); choreography by Jean Coralli, Jules Perrot and Marius Petipa,
The Sleeping Beauty (Prince Dйsirй); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
La Bayadиre (Dance of the Golden Idol); choreography by Marius Petipa, revised version by Vladimir Ponomarev and Vakhtang Chabukiani,
Le Rйveil de Flore (Zephyr); reconstruction of the 1894 production by Marius Petipa and Lev Ivanov, revival by Sergei Vikharev,
Swan Lake (Friend of the Prince); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
Raymonda (Grand pas, Bйranger); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Michel Fokine’s Chopiniana (Nocturne, Mazurka, Seventh Waltz), Le Carnaval (Harlequin), Le Spectre de la rose and Pйtrouchka (Pйtrouchka),
The Fountain of Bakhchisarai (Vaslav, Polish Youths); choreography by Rostislav Zakharov,
The Nutcracker (the Nutcracker Prince); staging by Vasily Vainonen,
Spartacus (Retiarius, a Dying Slave); choreography by Leonid Yacobson,
George Balanchine’s Prodigal Son (Friends of the Prodigal), Symphony in C (III. Allegro vivace, Soloist), Theme and Variations, Tarantella, Jewels (Emeralds, Rubies), Piano Concerto No 2 (Ballet Imperial) and A Midsummer Night’s Dream (Oberon, Pas de deux from Act II),
Le Jeune homme et la mort; choreography by Roland Petit,
In the Night; choreography by Jerome Robbins,
Йtudes; choreography by Harald Lander,
Sylvia (Aminta); choreography by Frederick Ashton,
The Legend of Love (Friends of Ferkhad); choreography by Yuri Grigorovich,
The Nutcracker (Fritz); staging by Mihail Chemiakin and choreography by Kirill Simonov,
Alexei Ratmansky’s Cinderella (the Prince, Spring, Hairdressers), Anna Karenina (Levin) and Concerto DSCH, The Little Humpbacked Horse (Ivan the Fool),
William Forsythe’s Steptext, The Vertiginous Thrill of Exactitude,and In the Middle, Somewhat Elevated,
The Magic Nut (Turkish Suitor); staging by Mihail Chemiakin and choreography by Donvena Pandoursky,
The Overcoat after Gogol (Two Officials), The Golden Age (Sportsmen); choreography by Noah D. Gelber,
Aria Suspended (Soloist), choreography by Peter Quanz,
The Ring; choreography by Alexei Miroshnichenko,
Without; choreography by Benjamin Millepied,
Infra; choreography by Wayne McGregor
and Hans van Manen's ballets Solo and Adagio Hammerklavier.
Repertoire also includes:
Flight of Angels; choreography by Edwaard Liang
and the pas de six from the ballet La Vivandiиre; choreography by Arthur Saint-Lйon.
Has performed in Mariinsky Theatre soloists’ gala concerts in St Petersburg and towns and cities throughout Russia and abroad.
Has toured with the Mariinsky Ballet to Great Britain, Germany, Greece, Finland, the USA, the Netherlands, Norway, Italy and Spain.
He has worked with choreographers such as Johnny Eliasen, Gary Chryst, Alexei Ratmansky, Ben Huys, Noah D. Gelber and Peter Quanz.
Born in Leningrad.
Graduated from the Vaganova Academy of Russian Ballet in 2005 (class of Boris Bregvadze).
Joined the Mariinsky Ballet in 2005; soloist since 2009.
Repertoire includes:
Don Quixote (Basilio); choreography by Alexander Gorsky after Marius Petipa,
Le Corsaire (Ali, Lankedem); production by Pyotr Gusev after the composition and choreography of Marius Petipa,
Romeo and Juliet (Romeo, Mercutio, Troubadour); choreography by Leonid Lavrovsky,
La Sylphide (James, Youths); choreography by August Bournonville, revised version by Elsa Marianna von Rosen,
Giselle (Count Albrecht, Classical Duet); choreography by Jean Coralli, Jules Perrot and Marius Petipa,
The Sleeping Beauty (Prince Dйsirй); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
La Bayadиre (Dance of the Golden Idol); choreography by Marius Petipa, revised version by Vladimir Ponomarev and Vakhtang Chabukiani,
Le Rйveil de Flore (Zephyr); reconstruction of the 1894 production by Marius Petipa and Lev Ivanov, revival by Sergei Vikharev,
Swan Lake (Friend of the Prince); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
Raymonda (Grand pas, Bйranger); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Michel Fokine’s Chopiniana (Nocturne, Mazurka, Seventh Waltz), Le Carnaval (Harlequin), Le Spectre de la rose and Pйtrouchka (Pйtrouchka),
The Fountain of Bakhchisarai (Vaslav, Polish Youths); choreography by Rostislav Zakharov,
The Nutcracker (the Nutcracker Prince); staging by Vasily Vainonen,
Spartacus (Retiarius, a Dying Slave); choreography by Leonid Yacobson,
George Balanchine’s Prodigal Son (Friends of the Prodigal), Symphony in C (III. Allegro vivace, Soloist), Theme and Variations, Tarantella, Jewels (Emeralds, Rubies), Piano Concerto No 2 (Ballet Imperial) and A Midsummer Night’s Dream (Oberon, Pas de deux from Act II),
Le Jeune homme et la mort; choreography by Roland Petit,
In the Night; choreography by Jerome Robbins,
Йtudes; choreography by Harald Lander,
Sylvia (Aminta); choreography by Frederick Ashton,
The Legend of Love (Friends of Ferkhad); choreography by Yuri Grigorovich,
The Nutcracker (Fritz); staging by Mihail Chemiakin and choreography by Kirill Simonov,
Alexei Ratmansky’s Cinderella (the Prince, Spring, Hairdressers), Anna Karenina (Levin) and Concerto DSCH, The Little Humpbacked Horse (Ivan the Fool),
William Forsythe’s Steptext, The Vertiginous Thrill of Exactitude,and In the Middle, Somewhat Elevated,
The Magic Nut (Turkish Suitor); staging by Mihail Chemiakin and choreography by Donvena Pandoursky,
The Overcoat after Gogol (Two Officials), The Golden Age (Sportsmen); choreography by Noah D. Gelber,
Aria Suspended (Soloist), choreography by Peter Quanz,
The Ring; choreography by Alexei Miroshnichenko,
Without; choreography by Benjamin Millepied,
Infra; choreography by Wayne McGregor
and Hans van Manen's ballets Solo and Adagio Hammerklavier.
Repertoire also includes:
Flight of Angels; choreography by Edwaard Liang
and the pas de six from the ballet La Vivandiиre; choreography by Arthur Saint-Lйon.
Has performed in Mariinsky Theatre soloists’ gala concerts in St Petersburg and towns and cities throughout Russia and abroad.
Has toured with the Mariinsky Ballet to Great Britain, Germany, Greece, Finland, the USA, the Netherlands, Norway, Italy and Spain.
He has worked with choreographers such as Johnny Eliasen, Gary Chryst, Alexei Ratmansky, Ben Huys, Noah D. Gelber and Peter Quanz.
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Mariinsky Theatre: 
Mariinsky-2 (New Theatre): 
Mariinsky Concert Hall: 
