• People’s Artist of Tatarstan
• Recipient of
the Рabdulla Tuqay State Prize of the Republic of Tatarstan
(2011)
• Recipient of the Russian theatre prize the
Golden
Mask in the category “Best Female Role in Opera” (Lucia di
Lammermoor in a production of the eponymous opera by
the Tatar State Academic Musa Jalil Opera and Ballet Theatre)
•
Recipient of the music critics’ prize
Casta Diva for her
performances as Lyudmila in the Bolshoi Theatre’s production of
Ruslan
and Lyudmila and Lucia in the Tatar Opera and Ballet Theatre’s
production of
Lucia di Lammermoor • Recipient of
the 1
st prize at the Tchaikovsky International
Competition (2007)
• Prize-winner at the Francisco Viсas
International Singing Competition (Barcelona, 2005)
• Prize-winner at
the Glinka International Young Opera Singers’ Competition
(Chelyabinsk, 2005)
Albina Shagimuratova’s enchanting coloratura soprano first found
international acclaim in 2007 when she won
the 1st prize at the Tchaikovsky International
Competition. Soon afterwards, she made her European opera debut as
the Queen of the Night at the Salzburg Festival under
the baton of Riccardo Muti. Opera News magazine gave her
a rave review as a “phenomenon that must be heard to be believed”
while the New York Times named her Lucia “dazzling”.
Having
made a name for herself as one of the world’s greatest interpreters of
this infamously demanding role, she has appeared as the Queen of
the Night at the Metropolitan Opera, La Scala (available on DVD),
the Wiener Staatsoper, the Deutsche Oper in Berlin, the San
Francisco Opera, the Bolshoi Theatre, the Los Angeles Opera,
the Houston Grand Opera, the Hamburg Staatsoper and the Lucerne
Festival among other venues. She also made her debut at the Royal Opera
House, Covent Garden, in this role in late 2012 (production by David
McVicar).
In recent seasons Albina Shagimuratova’s repertoire has expanded
to include 19th century opera heroines, each of them
a tremendous success. She has appeared as Violetta (La traviata)
at the Bolshoi Theatre following its reconstruction and at the Houston
Grand Opera. Her performance of the role of Gilda (Rigoletto) was
a triumph at the opening of the 2012–2013 season at the San
Francisco Opera (conducted by Nicola Luisotti). The same season, she performed
the same role for her debut at the Lyric Opera of Chicago under Evan
Rogister. In John Doyle’s new production at the Houston Grand Opera, she
performed the title role in Lucia di Lammermoor for
the first time and subsequently confirmed her success at the Deutsche
Oper in Berlin and at the Bolshoi Theatre. Moreover, she appeared at
the reopening of the Bolshoi Theatre following its reconstruction
in a new production of the opera Ruslan and Lyudmila
under the baton of Vladimir Jurowski (to be released on DVD). Her debut at
the Glyndebourne Festival as Donna Anna (Don Giovanni) was
conducted by Robin Ticciati. In the summer of 2013 she performed
the role of Manon at a concert by the Orchestre Philharmonique du
Luxembourg. Her numerous future engagements include returns to
the Metropolitan Opera, the Royal Opera House (Covent Garden),
and the Houston Grand Opera in addition to debuts at
the Bayerische Staatsoper and the Opйra de Paris.
Albina
Shagimuratova has performed works from her extensive repertoire with
the world’s greatest orchestras. For her debut with the Boston
Symphony Orchestra under Rafael Frьhbeck de Burgos she sang Rossini’s Stabat
Mater and a role in Mendelssohn’s A Midsummer Night’s
Dream, while with the Houston Symphony Orchestra under Hans Graf she
performed a programme of concert arias by Mozart and Poulenc’s mass
Gloria. At the Maggio Musicale Fiorentino Albina
Shagimuratova sang the soprano role in Mozart’s Requiem under Zubin
Mehta, and in the 2012–2013 season she sang Beethoven’s Ninth Symphony with
the National Symphony Orchestra of Denmark under maestro Frьhbeck de
Burgos. The same year, she added Britten’s War Requiem to her
repertoire, with a performance at St Paul’s Cathedral in London
under Edward Gardner during the London International Arts Festival. She
also has close artistic ties with such conductors as James Conlon, Patrick
Summers, Peter Schneider, Бdбm Fischer and Vladimir Spivakov.
Albina
Shagimuratova was born in Tashkent to a family of lawyers. From her
childhood, her parents encouraged her interest in music and, at
the age of fifteen, she began to make public appearances accompanied by her
father who played the accordion. The family later moved to Kazan where
Albina studied at the Kazan School of Music (specialising in choral
conducting) and later at the Kazan Conservatoire. She completed
a postgraduate study with distinction at the Moscow Conservatoire.
While still a student in Moscow, Albina Shagimuratova was
a soloist with the Moscow Academic Stanislavsky and
Nemirovich-Danchenko Musical Theatre where she performed the roles of
the Swan Princess from The Tale of Tsar Saltan and the Queen
of Shemakha from The Golden Cockerel by Rimsky-Korsakov. At
the same time, she sang the solo in Mozart’s Requiem at
the premiere concert of the acclaimed Sviatoslav Richter’s
December Evenings in Moscow. Other roles she has performed include
Beethoven’s Ninth Symphony and Mahler’s Eighth Symphony with
the Tchaikovsky Symphony Orchestra under Vladimir Fedoseyev.
Albina
Shagimuratova is an honorary graduate of the Houston Grand Opera
Studio. She is currently continuing her training under Dmitry Vdovin
in Moscow and Renata Scotto in New York.
• People’s Artist of Tatarstan
• Recipient of
the Рabdulla Tuqay State Prize of the Republic of Tatarstan
(2011)
• Recipient of the Russian theatre prize the
Golden
Mask in the category “Best Female Role in Opera” (Lucia di
Lammermoor in a production of the eponymous opera by
the Tatar State Academic Musa Jalil Opera and Ballet Theatre)
•
Recipient of the music critics’ prize
Casta Diva for her
performances as Lyudmila in the Bolshoi Theatre’s production of
Ruslan
and Lyudmila and Lucia in the Tatar Opera and Ballet Theatre’s
production of
Lucia di Lammermoor • Recipient of
the 1
st prize at the Tchaikovsky International
Competition (2007)
• Prize-winner at the Francisco Viсas
International Singing Competition (Barcelona, 2005)
• Prize-winner at
the Glinka International Young Opera Singers’ Competition
(Chelyabinsk, 2005)
Albina Shagimuratova’s enchanting coloratura soprano first found
international acclaim in 2007 when she won
the 1st prize at the Tchaikovsky International
Competition. Soon afterwards, she made her European opera debut as
the Queen of the Night at the Salzburg Festival under
the baton of Riccardo Muti. Opera News magazine gave her
a rave review as a “phenomenon that must be heard to be believed”
while the New York Times named her Lucia “dazzling”.
Having
made a name for herself as one of the world’s greatest interpreters of
this infamously demanding role, she has appeared as the Queen of
the Night at the Metropolitan Opera, La Scala (available on DVD),
the Wiener Staatsoper, the Deutsche Oper in Berlin, the San
Francisco Opera, the Bolshoi Theatre, the Los Angeles Opera,
the Houston Grand Opera, the Hamburg Staatsoper and the Lucerne
Festival among other venues. She also made her debut at the Royal Opera
House, Covent Garden, in this role in late 2012 (production by David
McVicar).
In recent seasons Albina Shagimuratova’s repertoire has expanded
to include 19th century opera heroines, each of them
a tremendous success. She has appeared as Violetta (La traviata)
at the Bolshoi Theatre following its reconstruction and at the Houston
Grand Opera. Her performance of the role of Gilda (Rigoletto) was
a triumph at the opening of the 2012–2013 season at the San
Francisco Opera (conducted by Nicola Luisotti). The same season, she performed
the same role for her debut at the Lyric Opera of Chicago under Evan
Rogister. In John Doyle’s new production at the Houston Grand Opera, she
performed the title role in Lucia di Lammermoor for
the first time and subsequently confirmed her success at the Deutsche
Oper in Berlin and at the Bolshoi Theatre. Moreover, she appeared at
the reopening of the Bolshoi Theatre following its reconstruction
in a new production of the opera Ruslan and Lyudmila
under the baton of Vladimir Jurowski (to be released on DVD). Her debut at
the Glyndebourne Festival as Donna Anna (Don Giovanni) was
conducted by Robin Ticciati. In the summer of 2013 she performed
the role of Manon at a concert by the Orchestre Philharmonique du
Luxembourg. Her numerous future engagements include returns to
the Metropolitan Opera, the Royal Opera House (Covent Garden),
and the Houston Grand Opera in addition to debuts at
the Bayerische Staatsoper and the Opйra de Paris.
Albina
Shagimuratova has performed works from her extensive repertoire with
the world’s greatest orchestras. For her debut with the Boston
Symphony Orchestra under Rafael Frьhbeck de Burgos she sang Rossini’s Stabat
Mater and a role in Mendelssohn’s A Midsummer Night’s
Dream, while with the Houston Symphony Orchestra under Hans Graf she
performed a programme of concert arias by Mozart and Poulenc’s mass
Gloria. At the Maggio Musicale Fiorentino Albina
Shagimuratova sang the soprano role in Mozart’s Requiem under Zubin
Mehta, and in the 2012–2013 season she sang Beethoven’s Ninth Symphony with
the National Symphony Orchestra of Denmark under maestro Frьhbeck de
Burgos. The same year, she added Britten’s War Requiem to her
repertoire, with a performance at St Paul’s Cathedral in London
under Edward Gardner during the London International Arts Festival. She
also has close artistic ties with such conductors as James Conlon, Patrick
Summers, Peter Schneider, Бdбm Fischer and Vladimir Spivakov.
Albina
Shagimuratova was born in Tashkent to a family of lawyers. From her
childhood, her parents encouraged her interest in music and, at
the age of fifteen, she began to make public appearances accompanied by her
father who played the accordion. The family later moved to Kazan where
Albina studied at the Kazan School of Music (specialising in choral
conducting) and later at the Kazan Conservatoire. She completed
a postgraduate study with distinction at the Moscow Conservatoire.
While still a student in Moscow, Albina Shagimuratova was
a soloist with the Moscow Academic Stanislavsky and
Nemirovich-Danchenko Musical Theatre where she performed the roles of
the Swan Princess from The Tale of Tsar Saltan and the Queen
of Shemakha from The Golden Cockerel by Rimsky-Korsakov. At
the same time, she sang the solo in Mozart’s Requiem at
the premiere concert of the acclaimed Sviatoslav Richter’s
December Evenings in Moscow. Other roles she has performed include
Beethoven’s Ninth Symphony and Mahler’s Eighth Symphony with
the Tchaikovsky Symphony Orchestra under Vladimir Fedoseyev.
Albina
Shagimuratova is an honorary graduate of the Houston Grand Opera
Studio. She is currently continuing her training under Dmitry Vdovin
in Moscow and Renata Scotto in New York.