SYNOPSIS
Act I
Scene 1. Introduction.
We hear
the song The Snow Is not White, performed
in the Russian folk style.
Scene 2. Lunch at
the Procurator’s.
The dignitaries of the town of N are
giving a lunch in honour of Pavel Ivanovich Chichikov, attended by
Manilov, Sobakevich, Nozdryov, Mizhuev, the Governor, the Procurator,
the Chairman of the Chamber, the Chief of Police and
the Post Master. “Vivat, Pavel Ivanovich,” the town’s dignitaries
proclaim in chorus, in turn treating Chichikov and speaking of their
admiration for him. In turn, Chichikov lavishes compliments on
the “town fathers”.
Scene 3. The Road.
A britzka makes its way along the road. Selifan is
sitting on the coach-box, while Chichikov is in the carriage.
Selifan sings the song Hey-Hey, My Hearties! He asks two
approaching peasants “Is it far to Zamanilovka?” They reply that it is one verst
to Manilovka, and that there is no such place as Zamanilovka.
The britzka travels onwards.
Scene 4. Manilov.
The hospitable Manilov and his wife welcome Chichikov. “May Day...
The name day of the heart…” Manilov sings tenderly, and croons an
arioso in praise of his guest. Taking Manilov to one side, Chichikov offers
to sell him dead souls. Manilov is taken aback and expresses doubt: “Will not
such trade be at odds with Russia’s prospects?” But Chichikov easily explains
that the opposite is the case. The Manilovs and their guest dream
of the joys of life aloud. Suddenly Manilov notices that Chichikov has
already disappeared. He stops and ponders: “Dead souls?”
Scene 5.
A Pot-Holed Road.
On the road again. Selifan complains of
the infernal darkness, Chichikov suggests looking to determine if
the village can be seen. Bring, oh God, a Thunderous Cloud,
sings the chorus.
Scene 6. Korobochka.
A room
in the house of Korobochka. Korobochka laments the “poor harvests
and losses”, telling Chichikov what wonderful workers have died recently.
Suddenly Chichikov makes his offer: “Release them to me.” Initially Korobochka
cannot make head or tail of what he is talking about: the deal is tempting,
but unusual. The dialogue becomes increasingly tense. Both speak faster and
faster, and in the end their words cannot be made out.
A pantomime scene follows. At its height, Korobochka submits: “Why are you
so glum? Allow me, I will give you them for fifteen assignations.” Chichikov
disappears and Korobochka is left alone with her thoughts: “Why are dead souls
walking today?”
Scene 7. Songs.
We hear the songs
Don’t Cry, Don’t Cry, Beautiful Maiden, The Snow Is not White and You
Are Wormwood, Wormwood Plant.
Scene 8. Nozdryov.
Nozdryov
has just returned from the market – “unlucky at cards”. He sits down with
Chichikov to a game of draughts. During the game, the dead souls
are traded. Nozdryov tries to foist a puppy and a barrel-organ onto
his partner... Chichikov accuses Nozdryov of cheating. A quarrel ensues,
which slowly escalates into an unimaginable scandal. Suddenly the Captain
Chief of Police appears: “Mr Nozdryov, you are under arrest... You are accused
of causing personal abuse to the landowner Maximov with the birch
whilst drunk...”
Act II
Scene 9. Sobakevich.
Chichikov is
in Sobakevich’s study. Sobakevich abuses the town fathers to
the last degree. Chichikov tries to carry on society small talk and refers
to the “non-existent” souls. “You need dead souls?” asks Sobakevich,
puzzled, naming an astronomical price – one hundred roubles per soul.
The lengthy bartering process begins. From time to time during
the talk, there are retorts from the portraits of Greek commanders
justifying the fairness of Sobakevich’s arguments. In the end,
the two sides come to an agreement.
Scene 10. Selifan
the Coachman.
Endless road once again, and Chichikov’s
britzka continues its journey. Selifan is singing a mournful song.
“Is it far to Plyushkin’s?” he asks the peasants he passes, but he receives
no reply.
Scene 11. Plyushkin.
Plyushkin complains about life
and tells Chichikov that the damned fever took “a healthy number of
peasants” from him. Chichikov appears as benefactor, proposing to buy all one
hundred and twenty souls.
Scene 12. The Soldier’s Wife’s Lament.
A peasant woman laments her fate, having lost her son who was
taken from her as a soldier.
Scene 13. The Governor’s Ball.
The guests are animatedly discussing Chichikov’s merits and
wealth. The Governor’s daughter stands out among the dancers.
Chichikov appears. All welcome him, congratulating him on his purchase of
the peasants, not suspecting that it is a scam through which he hopes
to obtain a mortgage on non-existent peasant property. The Governor’s
wife presents the “millionaire” to her daughter. Suddenly Nozdryov bursts
in and reveals the trickery of Chichikov’s deals: “I won’t leave you until
I know why you have bought dead souls.” All are taken aback. But Korobochka
appears, having come to town to find out “why dead souls are walking today.”
This serves to increase the confusion of all...
Act III
Scene 14. Introduction.
Again we
hear the song The Snow Is not White.
Scene 15.
Chichikov.
The opera’s protagonist is in a hotel room.
His entire cunning plot has collapsed in ruins.
Scene 16. Two
Ladies.
Anna Grigorievna, “a pleasant woman in the fullest
sense of the word”, and Sofia Ivanovna, “simply a pleasant woman”,
have met to discuss the latest gossip. Anna Grigorievna confirms that with
Nozdryov’s assistance Chichikov plans to flee with the Governor’s daughter.
Scene 17. Crowds in the Town.
The action unfolds
in turns at the Chief of Police’s in drawing rooms and on
the streets. All the characters in the opera are discussing
the case of Chichikov. New and yet newer proposals are put forward.
The Postmaster confirms that “Chichikov is none other than Captain
Kopeikin...” “And isn’t Chichikov Napoleon dressed up?” asks
the Procurator. Nozdryov relates that Chichikov is a spy,
a fiscal inspector and a “man of State assignations”. Nozdryov then
freely confirms that he has agreed to help Chichikov to flee with
the Governor’s daughter. The anxiety grows. Unexpectedly it is
announced that, due to the shock, the Procurator has died.
The crowd is suppressed.
Scene 18. Mourning the Procurator.
A funereal procession led by the priest heads towards
the graveyard. Chichikov is in his hotel room, continuing his
interrupted monologue.
Scene 19. Finale.
Nozdryov tells
Chichikov that he is thought to be a robber and a spy, “intent on
spiriting away the Governor’s daughter”. Chichikov is frightened – it is
time to flee. He calls for Selifan and orders the britzka be got
ready. And once again the endless road, with Chichikov’s britzka
trundling along incognito. Selifan is singing his song. A peasant with his
goat and another bearded peasant are standing by the roadside. They chime
in: “You see what a wheel! What do you think, will that wheel make it,
should the chance arise, to Moscow or not?” “It’ll make it.” “As for Kazan,
I don’t think it’ll make it that far…” “It won’t make it to Kazan.” And their
song continues to resound...